In Search of Greener Fields: Music, Speech, and “The Folk” in the 1937 Yiddish Film Grine Felder

Sonic Allegory, Diasporic Mourning, and Feminist Protest in the Transcultural Journey of Dana Dana

Sonic Representations of Jewishness on Screen and Off Closing Roundatble

Bricolage Jewishness and (Punk Refusals of) the “Blank Generation” by Jessica Schwartz

Jewish Pilgrimage Heritage In Moroccan Film by Houda Eddahbi

Courtney Blue Sonic Affinities and Expectations

Samuel Chotzinoff, David Sarnoff, and the NBC-TV Opera Theatre, Talk by Daniela Smolov Levy

The Sound of Being There: Diffuse Listening Environments and Liturgical Memory in Long Story Short

Sonic Sightlines: The Music and Moving Image of Mickey Katz, Talk by Mark Kligman

Sound, Memory and Jewish Identity: The Music that Inspired UnBroken by Beth Lane

Gilbert and Sullivan’s Mikado as a Cypher for Jewishness inPostwar American Films

In Search of Ness-ness—Between Neutrality and Caricature in Jewish Film Music by Michael Beckerman

Voicing Yiddish, Performing America: Molly Picon Between Second Avenue andAbstract: Broadway

Henech Kon: The Jewish Sounds of Yiddish Secularism by Diana Matut

The Shofar in Hollywood Film Scores: From Jewish Ritual to Cinematic Primitivism by Aaron Fruchtman

Musical Markers of Judaism as Moralistic Signifiers in Harold Rome’s I Can Get It ForYou Wholesale

Conversation featuring Diana Matut, Neal Stulberg, Josh Horowitz, and Michael Wex

Parody, Stereotype, and Jewish Representation in Crazy Ex-Girlfriend (2015-2019) by Ashton Collard