
Early Sounds of Jewish Music
Early Sounds of Jewish Music is a rare journey into the Jewish soundscape of the Medieval, Renaissance, and Baroque periods. Featuring international scholars, our program will be in two parts: An interactive symposium with leading scholars and practitioners of Jewish Early Music, and a collaborative concert with the UCLA Musicology Early Music Ensemble.
There are limited written sources of Jewish music prior to 1800. The extant documents show a wide range of influences in the Middle East and Europe. Creating the sounds of early Jewish music scholars and performers develop clues from handwritten textual documents and musical notation. Our program will combine the scholarly presentation of information and ideas along with performance. This will include performances by the UCLA Musicology Department’s Early Music Ensemble. The repertoire discussed and presented will include 16th and 17th Century Yiddish songs, liturgical music from Amsterdam in the 18th Century along with German synagogue music from the late 1700s to the early 1800s. This unique program will bring to light unique and hidden sounds.
SYMPOSIUM SCHEDULE, 1:00pm-4:30pm
“For the Joy of the Soul: Rediscovering Early Jewish Music” (Dr. Diana Matut ).
1:00-1:45pm
For the longest time, the story of Early Jewish Music began and ended with Salamone Rossi, great Jewish composer from Mantua, and colleague of Claudio Monteverdi. His Hebrew madrigals were considered the pinnacle and rarest of exceptions in the world of Jewish music before 1800.
Yet Jewish music-making between 1500 and 1800 encompassed music for all walks of life, functions and occasions. It was performed in sacred and secular spaces, in the synagogue, at home, on the streets and even in non-Jewish settings. This lecture will introduce the music of Ashkenazi and Italian Jewish communities of that period, its rediscovery and sources, and will feature communal singing of Hebrew and Yiddish songs from the 1600s.
Roundtable: Jewish Early Music in Performance, 1:45pm-2:30pm
Panelists: Diana Matut, Paul Feller, Matt Austerklein, Marilyn Winkle
Moderator: Mark Kligman
Coffee / Schmooze (with beautiful ambient music) 2:30pm-3:00pm
New Horizons in Jewish Early Music Research (15 min presentations with 5 min each for questions)
3:00-4:30pm
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- Matt Austerklein – “Michtam L’David: Confessions of a Sixteenth-Century Klezmer” “
- Diana Matut: “Singing for a Groom and Bride in Early Modern Ashkenaz”
- Mark Kligman: “Eighteenth-Century Styles of Hazzanut in Germany”
- Paul Feller-Simmons: “Reclaiming Esther for Sephardic Amsterdam”
Closing 10 min
Details
445 Charles E. Young Drive East
Los Angeles, 90095
More information
Parking
Self-service parking is available at UCLA’s Parking Structure #2 for events in Schoenberg Music Building and the Evelyn and Mo Ostin Music Center. Costs range from $4 for 1 hour to $15 for all day. Evening rates (after 4 p.m.) are $3-$5 for 1 to 2 hours and $10 for all night. Learn more about campus parking.
Accessibility
The UCLA Herb Alpert School of Music is eager to provide a variety of accommodations and services for access and communications. If you would like to request accommodations, please do so 10 days in advance of the event by emailing ADA@schoolofmusic.ucla.edu or calling (310) 825-0174.
Photography
Food and Drink
Food and drink may not be carried into the theaters. Thank you!
Acknowledgment
The UCLA Herb Alpert School of Music acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and So. Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (Ancestors), ‘Ahiihirom (Elders) and ‘Eyoohiinkem (our relatives/relations) past, present and emerging.